Wes Ellis./ a personal notebook
Technology. Stories. Side projects.
A few things worth writing down.
← Analog: contents

Analog / Story guide

Who's who, and what's where

The people, places and things in Analog. Every card starts with what you'd know when they first turn up. Anything later is folded under a spoiler.

Characters

character

Maya

Graphic designer

A graphic designer, alone in her apartment with her cat and her sketchbooks, reading an email that says a client has gone with an AI-generated design instead of hers.

First appears: Scene 1, Maya's apartment

Spoilers

She's the one who ends Act I saying whatever they do, they do together, and she pitches the showcase as art that could never be generated. Her old friend Sarah turns up at the coffee shop with a job offer from Optimize.AI, and Maya turns it down. Her solo is "Perfectly Imperfect," and "Version 2.0" is her duet with Sarah.

character

Rosa

Call center representative

A customer service rep who actually listens, talking an angry caller down after forty-five minutes on hold.

First appears: Scene 2, The call center

Spoilers

Mid-call, the loudspeaker announces an automated chat system coming next quarter. She's raising her daughter Sofia and keeps stepping away to take her calls. Her songs are "Hold Please" and "More Than a Voice" ("I'm a mother, a dreamer, a heart that can break").

character

Sofia

Rosa's daughter

Rosa's little girl, who calls her mother at every inconvenient moment.

First appears: Scene 4, End of Act I

Spoilers

She's only ever on the other end of Rosa's phone in the posted scenes. The planning docs make her six.

character

Jamal Washington

Journalist

A reporter who used to cover city council corruption and now writes listicles like "Ten Ways to Save Money This Summer."

First appears: Scene 3, Jamal's apartment

Spoilers

His editor wants AI-optimized headlines, and he reads that a local paper has cut 60 percent of its staff for AI software. In the planning session he promises to tell the real story, not a listicle. His songs are "Breaking News" and, with Rosa in the plan, "Human Interest."

character

Alex

Programmer

A coder who helped build some of the systems now doing the replacing, and feels it.

First appears: Scene 4, End of Act I

Spoilers

Alex's first idea is to do something to those systems, which Jamal calls a crime. Talking with Marcus in the coffee shop, Alex decides the problem is who decides how the code gets used, and offers to run tech support for the showcase with no AI in it. Their songs are "If/Then/Else" and "Human Code."

character

Marcus

Musician

A busking musician who is always tuning a guitar.

First appears: Scene 4, End of Act I

Spoilers

He asks Alex whether an algorithm can write a song about heartbreak, and suggests the show's big idea: a concert where everything is completely, authentically human. His songs are "Frequencies" and, with Alex, "Human Code."

character

Diana

Paralegal

A paralegal who thinks in legal precedents and wants everyone to be careful.

First appears: Scene 4, End of Act I

Spoilers

In the planning session she warns against any direct action on corporate property and offers to research legal protections for creative work. Her songs are "Brief Encounter" and "Precedent."

character

Zoe

Young entrepreneur

The youngest of the group, always on her phone, and the first to notice they're trending.

First appears: Scene 4, End of Act I

Spoilers

She takes charge of social media for the showcase. Her song is "Going Viral."

character

Sarah

Maya's old friend, now at Optimize.AI

Maya's old friend, who walks into the coffee shop in corporate clothes.

First appears: Scene 5, Maya and Sarah

Spoilers

She's Creative Director at Optimize.AI now and offers Maya a position shaping the future instead of fighting it. Maya says she was always practical about selling out. Her songs are "Upgraded" and "Version 2.0."

character

Tyler Steinberg

Head of the corporate side

A cold, mechanical voice over the speakers at the end of Act I, announcing that human resistance patterns have been detected.

First appears: Scene 4, End of Act I

Spoilers

In the posted scenes he's only a voice. His numbers in the running order are "Optimize Everything" and "User Error," which calls the humans outdated software.

Places

place

Maya's apartment

Scene 1

Where Maya lives and works, with a sketchbook full of hand-drawn typography and a cat.

First appears: Scene 1, Maya's apartment

Spoilers

A robot delivers her Uber Eats order, which she takes personally.

place

The call center

Scene 2

Rosa's workplace, headsets and hold times and a loudspeaker.

First appears: Scene 2, The call center

Spoilers

The announcement about automated chat systems comes over that loudspeaker.

place

Jamal's apartment

Scene 3

Where Jamal types listicles on one screen and reads bad news about his industry on the other.

First appears: Scene 3, Jamal's apartment

Spoilers

Newspaper headlines are projected around him as the scene turns into "Breaking News."

place

The coffee shop

Where the group meets

The coffee shop where the group gathers once they've found each other.

First appears: Scene 5, Maya and Sarah

Spoilers

Sarah finds Maya here, Alex and Marcus talk it out here, and the showcase is planned here.

Things

thing

Pixel

Maya's cat

Maya's cat, heard meowing offstage while Maya has what she calls an existential crisis. Again.

First appears: Scene 1, Maya's apartment

Spoilers

Pixel is only a voice in the posted scenes.

thing

The automated chat system

What's coming for Rosa's job

The system the call center announces will arrive next quarter "to improve efficiency and reduce human error."

First appears: Scene 2, The call center

Spoilers

It's the push that turns into Rosa's song "Hold Please."

thing

The showcase

The group's plan

The group's answer to the machines: an event of art, music and stories that could only come from people.

First appears: Scene 7, The planning session

Spoilers

Jamal names it, Maya and Marcus shape it, Alex handles the tech, Diana the law, Zoe the word of mouth. It's where Act II is headed.

Groups

group

The corporate board

Tyler's side of the table

The corporate chorus on the other side of the story, singing about efficiency.

First appears: Running order, Running order

Spoilers

They drive "Quarterly Projections" and the corporate half of the finale, "Human Resources," which the humans answer with "We Are More."

group

Optimize.AI

The company doing the optimizing

The AI company where Sarah is now Creative Director.

First appears: Scene 5, Maya and Sarah

Spoilers

Sarah pitches it to Maya as software that enhances creativity. Maya asks whether it amplifies it or homogenizes it.

Story beats

Show the story beatsSpoilers for the whole book

Act I

  1. Side Hustle Symphony

    The opening number, everyone working their jobs before the fall.

    Running order ↗
  2. The email

    Maya reads that a client picked an AI-generated design over hers, and even her dinner arrives by robot.

    Scene 1 ↗
  3. Perfectly Imperfect

    Maya sings that her crooked lines and bleeding colors hold something algorithms can't feel.

    Running order ↗
  4. Forty-five minutes on hold

    Rosa talks an angry caller down with real care, then hears the loudspeaker announce the chat system coming next quarter.

    Scene 2 ↗
  5. Hold Please

    Rosa's song about the human voice on the line.

    Running order ↗
  6. Ten Ways to Save Money

    Jamal, a former corruption reporter, is told to make his listicle more SEO-friendly and reads about a paper cutting 60 percent of its staff.

    Scene 3 ↗
  7. Breaking News

    Jamal's rapid-fire song about content farms and the death of the local paper.

    Running order ↗
  8. If/Then/Else

    The coder's dilemma: write the code and people lose their jobs, or don't and lose your own.

    Running order ↗
  9. Optimize Everything

    The corporate side gets its anthem.

    Running order ↗
  10. Frequencies

    A song about the space between the notes that only people can hear.

    Running order ↗
  11. Digital Revolution

    The Act I finale, the moment they come together.

    Running order ↗
  12. What now?

    Tyler's voice announces countermeasures, the group asks what they can do that the machines can't, #DigitalRevolution starts trending, and Maya says they do it together.

    Scene 4 ↗

Act II

  1. Upgraded

    Version 2.0 of an employee, with the glitches of emotion and doubt taken out.

    Running order ↗
  2. Is the code replacing you?

    Alex apologizes to Marcus for building the systems, and Marcus asks whether an algorithm can write about heartbreak.

    Scene 6 ↗
  3. Human Code

    Alex and Marcus sing about making technology and humanity meet.

    Running order ↗
  4. Sarah's offer

    Sarah, now Creative Director at Optimize.AI, offers Maya a job, and the old friends go at each other.

    Scene 5 ↗
  5. Version 2.0

    Maya and Sarah remember the all-nighters, and Sarah says she upgraded that.

    Running order ↗
  6. More Than a Voice

    Rosa sings that she's more than a voice on the telephone line.

    Running order ↗
  7. Assembly Line

    Thirty years on the line, and this wave of machines is different.

    Running order ↗
  8. Analog Heart

    Maya and Marcus's love duet, one of the five finished songs.

    Running order ↗
  9. Quarterly Projections

    The board sings the numbers: growth in automation, job elimination, money well spent.

    Running order ↗
  10. Planning the showcase

    The group lands on a concert and showcase where everything is authentically human, and each of them takes a job.

    Scene 7 ↗
  11. Brief Encounter

    A song about a life built on precedent and law, and a heart that can't be briefed.

    Running order ↗
  12. Going Viral

    Going viral with the truth, not AI content.

    Running order ↗
  13. Human Interest

    Behind every statistic there's a life.

    Running order ↗
  14. User Error

    The corporate side calls the humans outdated software, bugs to delete.

    Running order ↗
  15. Precedent

    A case for human worth that can't be digitally decreed.

    Running order ↗
  16. Human Resources / We Are More

    The finale, the corporate theme and the human one fighting it out.

    Running order ↗